Tuesday, 29 October 2013

A Literary Mash-Up or an Erotic Book Meld?

I just love publishing jargon. Some of it is so funny and fiercely inventive, it makes me smile. And I wanted to share with you the most marvellous example of it recently aimed at my new novel WOLF BRIDE.

WOLF BRIDE is out now in digital edition, but is launched in paperback on November 7th. So it's been doing the rounds of the newspaper desks. Last week, The Independent mentioned it in their weekly book news round-up, 'Between The Covers'.

WOLF BRIDE
"The two most successful literary genres of the past three years have finally met, in the most inevitable literary mash-up of the 21st century. Wolf Bride by Elizabeth Moss is described as 'Hilary Mantel meets Sylvia Day.' ... It is published by Hodder and Stoughton on November 7th."
A literary mash-up, for those who are unsure, is usually a book which incorporates another pre-existing text within it, often as a parody.

In this case, of course, there is no pre-existing text being incorporated, but rather a meeting - or melding - of two completely different literary vibes. So while not entirely an accurate description, applying the term 'literary mash-up' to WOLF BRIDE does at least have the merit of getting across an idea. The kind of political intrigues and shenanigans at King Henry VIII's court described in Mantel's WOLF HALL come together in my novel with the kind of steamy erotic content associated with one of romance's hottest writers, Sylvia Day.

Personally, I love the label 'literary mash-up.' How about you?


Wednesday, 23 October 2013

A Neater Way To Nano

What Is NaNo?
I entered for NaNoWriMo last year, and am planning to enter again this year. For those who don't know what that means, NaNoWriMo stands for National Novel Writing Month and takes place every November. It's a free contest, with hundreds of thousands of entrants every year, and the idea is to write a 50,000 word novel in one month. If you hit 50,000 by the end of November, you are officially a 'Winner!' (There's no prize except kudos.)

ENTER NANOWRIMO HERE!

Last year I managed about 44,000 words, but that was largely because I didn't write some days during the month, as I had a busy schedule. (When don't I?)

This NaNoWriMo will be the same: I'm finishing a book right now which is unlikely to be done before November 6th. This means I'll have no time to prepare a synopsis or think about characters properly - I'm not even 100% sure what I'll be writing this NaNo, as I have several projects on the back burner - and will lose at least one week out of the four allowed. So it's unlikely I'll manage more than 35,000, I would guess. HOWEVER, I will still follow my own unique method of approaching NaNo, regardless of my need for extra speed.

How Most People NaNo
The accepted wisdom is that the NaNo entrant just slaps down any old words in any old order, and as long as it's vaguely literate, and moves the plot along, that's acceptable. In fact, it's broadly considered the ONLY WAY to approach the NaNoWriMo experience.

Editing of the novel is done AFTER November. Indeed, many entrants fully expect to be editing their 'finished' book for the next six months or more.

How I NaNo
I can't work like that. I'm a fast writer, don't get me wrong. I regularly finish novels in 6-8 weeks. But impatience comes along with that speed. When I've finished a novel, that's it. It's finished. Next, please. I'm happy to hand it over to my editor for any suggested revisions to the plot, and then a copyeditor for changes at a language level - luckily, these tend to be light. But I dislike having to go back over the book myself - except for a very general check for foolish errors and inconsistencies - before sending it to my publishers.

My opinion is that, if you edit as you go along, by the time you type THE END, your book really is finished. If you edit as you write, you can send it straight off with a clear conscience. No need to put it away for a few weeks, then revise and edit for a few months before considering it finished.

Of course this presupposes an editor or two down the line who will catch any major issues! But it has to be added, even editing your book for six months may not make it 'perfect'. If there is such a thing as a perfect novel, which I don't personally believe.


My Neater Way To NaNo

  • GET EACH SENTENCE RIGHT AND YOU REDUCE LATER EDITING TIME
  • Think about your novel in terms of sentences, not chapters. Each sentence builds and supports your novel. If it's a wobbly sentence, further down the line your paragraph - and even your whole novel - may fall over!
  • When writing each sentence, consider balance and sense. LISTEN to your sentences. They are not just a means to an end, but an end in themselves. A happy sentence makes sense and looks balanced.
  • Don't be afraid to be poetic in your prose. Or staccato if that suits you better. But be consistent. Set out your prose style on the very first page, the very first sentence - hopefully one that suits both you and the book you're writing - and stick with it. Sometimes it may take a few chapters to find the right narrative voice. Then you may want to go back and adjust earlier writing to match it. But only early on. Don't change styles mid-book or you will flounder horribly in a quagmire of your own making.
  • Avoid moving on to a new sentence until you are pleased with the one you've just written. If you absolutely must move on, highlight that sentence in red and go back to it at the end of your writing time.

  • HOW TO WRITE SWIFTLY WHILE ALSO SELF-EDITING: try the following ideas.
  • Getting the words right first time often means being SPECIFIC. Not a red car but a maroon Ford Fiesta (or hatchback if you want to be less specific). Not a dog but a Labrador. Don't take this to extremes though. If you draw too much attention to an object, it becomes 'important' and the reader will wonder why. Though obviously if it IS important - the killer was driving a maroon Ford Fiesta - that's okay.
  • Plan your book. If you loathe pre-knowledge of your plot - um, why??? - then at least sketch out vaguely what should happen in each chapter or group of chapters. This will avoid the pitfall of writing at a tangent for 10,000 words and realizing later it adds nothing and has to be cut.
  • Think: why does this scene exist? If it does not reveal character or move the plot forwards, cut it.Try to do this BEFORE you write it. (See above for planning.)
  • All dialogue should reveal character. But avoid dialects and foreign languages, they almost never work except for a few words put in for flavour. He's Scottish. We get it. And don't include rambling dialogue to indicate character or you will bore your readers. Just suggest it: 'Mrs Hubbard continued to talk long after I had ceased to listen. My attention was focused on the body in the rocking chair.'
  • Charge straight into scenes: don't introduce them, don't set the scene or drearily recap what went before. Don't info-dump ('The house had once belonged to my great-aunt, whose suicide in 1986 while I was studying Zoology at university led to my father's revelation that he too suffered from the same family illness ... ') but reveal backstory in drips, here and there.
  • Overall, avoid anything extraneous to the dynamic interaction between characters which forms the basis of most great novels. Setting and landscape may be important in your novel - it always was for Hardy - but in that case, think of setting as a character and use it in a similar way. Make the setting actively do things, not just 'be'. Think of the moor in The Hound of the Baskervilles: it's practically a character in its own right, deceiving people, sucking the unwary into the bog in an almost malicious way.
  • All the above will allow you to write swift and lean prose. Nothing unnecessary, everything serving a purpose. And above all, get the sentence right before moving on, and you will not need to waste months of your life editing your novel once NaNoWriMo is over.

Tuesday, 22 October 2013

First review of WOLF BRIDE: 'addictive and compelling'

WOLF BRIDE: out Nov 7th
The first blogger review of WOLF BRIDE was posted today at Victoria Loves Books. And Victoria's verdict on the paperback, which is out very shortly?
'What I expected was a book with lots of sex, what I got was a truly addictive and compelling love story.'
Read the rest of the review at Victoria Loves Books.

I am thrilled by this marvellous first review of WOLF BRIDE, which is my Tudor debut as Elizabeth Moss.

Victoria at Victoria Loves Books concludes her review:
'This was a superb read, addictive, passionate, compelling and hot. A passionate love story which I cannot wait to continue with book two. GOOD GOOD GOOD BOOK! LOVED IT!'

Saturday, 5 October 2013

Writers Speak Out

Are you a writer of romance or erotica?

I'm planning a series of short guest posts by writers of romance or erotica - traditionally, digitally or self-published - here on this site where writers can speak out about:


HOW they write

 WHEN they write

WHY they write


You can be as polemical or soft-spoken as you wish, but you should be engaging. Funny is also a plus!

So if you're a writer who would love to speak out about the craft of writing, or the ins and outs of publishing, just send me cover jpgs and the usual blurb/details of a book or book series you'd like to promote. You should also include the above information - How, When, Why, plus anything extra you want to contribute by way of opinion about writing, in no longer than 400 words - and any necessary links to websites or book pages.

Some books may not fit my site, but if you feel there may be a concern over that, just ask!

Email me via j.holland442 @ btinternet.com - Word document or jpg attachments ONLY please.